Pigments make the colour; the better the pigment, the better the colour! For centuries artists have created the world’s greatest images from a staple of 12 pigments. In contrast, modern paint makers choose from 30,000 synthetic dyes to make colour, just as thousands of ‘e’ numbers make processed food. For us it is the ingredients that make the dish and that is why our paint is superior, especially in terms of colour. So why make it so hard when these time-honoured pigments can render you all the colours you need for tonally harmonious and balanced interiors? In the past the same pigments were made to use works of art and decorate the home, creating a true alliance between the applied and decorative arts. Natural hand drawn pigment palette by Edward Bulmer Amazingly Edward has created our collection of over 100 colours from these 12 natural pigments. As part of our campaign to bring transparency to the paint market and to tell you how our paint is made, we thought you would be fascinated to learn about these pigments, their history and which colours they create. Starting this month, we are going to celebrate each of our trusted pigments in 2020. As a celebrated ‘Paint of the Decade’ and in our crusade to ‘Go Green’ to kick start 2020, we give you the opulent ‘Viridian’, sometimes called Chrome Green. Regardless of the strength or hue, our greens are flying off our shelves and onto your walls. Some of our greens are anchored in the mists of time so don’t require the richness of viridian, but are made with Yellow Ochre and a touch of Prussian Blue; but if it’s the freshness of summer meadow grass, it’s Edward’s ‘go to’ pigment. Viridian was produced commercially in the mid C19th but it came out of a long search for a dependable green pigment – colourfast, safe and reasonably priced! The name derives from the Latin for green viridis and came into use when two French chemists discovered a process to create it from Chromium III Oxide, now more commonly known as Chrome Oxide Green. It occurs naturally but in great scarcity as the mineral Eskolaite. The Greeks, who knew a thing or two, used the name chrome for this metal ore as they early on knew it could render a whole range of colours in different processes and they used their word for colour chroma to describe it. So there you have it – the classic green pigment! We use it to give a fresh oomph to our deeper greens, but as with all our mineral pigments we use it sparingly, as not only is it extremely efficient at its job, it is expensive as well! Pigment makes up a maximum of 8% of a well formulated paint and as natural paint makers we are alone in only using natural earth and mineral pigments to create our tonally consistent colour range. At Edward Bulmer Natural Paint, we believe you can see the difference in colours made this way. When you use powdered pigment the light is reflected in many directions; giving you a much more subtle effect than the reflection from single wavelength dyes used in synthetic paints. Keen to go Green? You will find Viridian in Verdigris, Invisible Green, Olympian Green, Pea Green, Sea Green …. Verdigris Order a Sample Invisible Green Order a Sample Olympian Green Order a Sample Pea Green Order a Sample Sea Green Order a Sample 100 60 40 20 Can you guess which other colours this gorgeous green pigment is used in? You may be surprised to learn that you will find it in new brown Mummy, new Water Glass and in the deeper Tingry and Indigo, bestsellers such as Dove and Aerial Tint and it even makes the sky look more blue in our Sky Blue! Don’t miss the February ‘Pigment of the month’ with more colour stories. Why compromise? Painting the future with plastic free paint #nonasties #lovepaint#therevivalofnaturalcolour #paintsmadefromplants Follow us on instagram @eb_naturalpaint and @edward_bulmer Mummy Order a Sample Water Glass Order a Sample Tingry Order a Sample Dove Order a Sample 100 60 40 20 Aerial Tint Order a Sample 100 60 40 20 Bedroom in Edward Bulmer Natural Paint Aerial Tint
How to decorate with the exceptional colour ‘Verdigris’ After headlining on the front cover of the November issue of House & Garden, we thought it about time we put ‘Verdigris’ in the spotlight. Read on to see how to use this colour in your interior design.
Under the Acanthus Leaves: A collaboration with artist, Jess Wheeler Two creative minds, united by a shared passion for the outdoors, we are so pleased to introduce you to a new collection of lighting inspired by nature and it’s colours. Read on for an exclusive Q&A with Jess.
Interior ICONS: Laura Fantacci Laura Fantacci, fashion editor and co founder of Wardrobe ICONS, is a modern day muse to many. Laura set up WardrobeICONS with her best friend and fellow fashion editor Petro Strofberg, inspiring inboxes across the globe with timeless fashion, beauty and lifestyle pieces.
Why the design world needs to cut its carbon footprint The industrial revolution, or what you might call ‘the dawn of commercial design’ relied on the use of a new energy source – fossil fuels. From coal, to coal tar, to crude oil, to natural gas, their use began to alter the dynamic and the planet increasingly had to store the resultant carbon emissions in the atmosphere rather than in its vegetation, soils and oceans.
Hallway Ideas to Make an Entrance We are here to help with your hall or hallway colour conundrums! Serving up some serious inspiration and top do’s and don’ts when it comes to decorating your hall or hallway spaces.
Edward Bulmer Natural Paint are proud to be B Corp Certified We are thrilled to have recently achieved B Corp status at Edward Bulmer Natural Paint – but what does that mean? See below for everything you need to know about B Corp: how we achieved it, how it will shape the way we continue to work, how we address the climate crisis and how we make our pioneering plant-based paint.
