This summer the Garden Museum will be celebrating the doyenne of flowers, the 20th century’s most influential floral decorator, Constance Spry. Guest curated by floral designer and writer Shane Connolly, this new exhibition will explore Spry’s exceptional life, achievements and legacy, with exclusive access to her archive at the RHS Lindley Library. Spry’s popularity has seen a huge resurgence in recent years as a new generation of floral designers rediscover her ground-breaking approach to the art of flowers: seasonal, natural, yet unconfined by tradition and rules. Constance Spry at work, image courtesy of the RHS Lindley Library For this exhibition the Garden Museum has gained exclusive access to Spry’s personal archives, which were deposited at the RHS Lindley Library after her death and have not been displayed publicly since. The exhibition will feature 100 never before seen photographs, documents and personal items from these archives, a precious record of an extraordinary life. We couldn’t be more excited that The Garden Museum and its guest curator, the extremely talented Shane Connolly, chose to use Edward Bulmer Natural Paint throughout the exhibition space. We were so thrilled that Edward Bulmer Natural Paint provided the paint for our new exhibition: Constance Spry and the Fashion for Flowers, in the Garden Museum, London. It is the perfect match; plant based paints for an artist who used plants and flowers! Shane Connolly Constance Spry Exhibition at The Garden Museum Vase Shelves painted in 'Olympian Green' at the Constance Spry Exhibition Constance Spry opened her first flower shop, Flower Decoration, in 1929. Her revolutionary approach to floristry garnered widespread interest in high society, while also democratising the form. Unconfined by traditional floristry training, Spry married classic flowers of choice with ‘unusual’ and uncelebrated plant material like kale and pussy willow, unconventional offerings from hedgerows and scoured Covent Garden flower market for statement flowers. Her influence can still be seen in floral design trends to this day. Throughout her long successful career, Spry also opened a floristry school, a domestic science school, and published thirteen books. And for more than three decades, she provided inspirational flowers for society weddings, fashion shows, the Wedding of Duke of Windsor and Wallis Simpson and in 1953 stage managed the design of the coronation of Queen Elizabeth II. Constance Spry Exhibition using 'Spanish White' Constance Spry Exhibition using 'Olympian Green' and 'Spanish White' Constance Spray Exhibition using 'Whiting' Constance Spray Exhibition Space 'Tingry' Guest Curator Shane Connolly Shane Connolly started his floral design business in 1989. Shane has always had an organic approach to his designs, and he is a passionate advocate of British grown, seasonal flowers. Shane has decorated some the country’s most prestigious venues for an eclectic range of clients. In 2005, he was asked by HRH the Duchess of Cornwall to design her bouquet and all other flowers for her marriage to HRH Prince of Wales and the service of dedication in Windsor Castle. In recognition of this, he was awarded a Royal Warrant of Appointment to HRH The Prince of Wales in 2006. In 2011 Shane was appointed Artistic Director for the wedding of TRH’s The Duke and Duchess of Cambridge. And was awarded a second Royal Warrant of Appointment, to HM The Queen in 2015. We spoke to Shane about his process: “In curating the show, I was lucky enough to speak with many people who actually knew Constance Spry, and people who had worked in her shop or trained at Winkfield Place, her home and school near Windsor, before her death in 1960. They all remembered a comfortable plainness, and the feeling of light, pale elegance in every Spry-inspired interior. Undoubtedly a breath of fresh air in a dreary post-world war Britain. The exhibition is divided into ‘rooms’ that reflect different aspects of Spry’s extraordinary career, so each has a palette based on these memories.” Vase Shelves painted in 'Olympian Green' at the Constance Spry Exhibition Vase Shelves painted in 'Olympian Green' at the Constance Spry Exhibition Shane goes on to say: “Robin Lucas and I poured through the Edward Bulmer paint charts and choose warm, creamy ‘Whiting‘ for her home with cooler, more ‘towny’ Spanish White for the shop. EB’s ‘Tingry’ added a sophisticated touch of almost-black with this cool white, to recreate the black and white scheme so many reminisced about in the iconic Spry flower shop, where flowers were allowed to shine against the paleness. This room has a whole wall of Spry’s famous Fulham Pottery vases and Robin had the inspired idea of backing them with a joyous splash of Olympian Green, at once contemporary and yet fashionably retro too.” Whiting Spanish White Eau de Nile Olympian Green Tingry Shane choose Eau de Nile for a room filled with images of Spry-designed weddings of the 1930s which he describes as “one of my favourite of all EB paint colours, making a perfect backdrop for black and white images of glamorous brides and grooms.” Shane explains how they set these images on trompe l’oeil grisaille panels, inspired by the magnificent ones designed by Martin Battersby for Duff and Lady Diana Cooper. Noting how “the background of Eau de Nile makes the grisaille really sing.” Constance Spry inspired flower arrangement by Shane Connolly Constance Spry inspired flower arrangement by Shane Connolly Constance Spry inspired flower arrangement by Shane Connolly The exhibition opened on 17th May and so many visitors have remarked that they feel they’ve slipped back in time. I am sure that this is in no small part due to the immediately ‘settled' look of Edward Bulmer paint; there is shadow and gradation and already a feeling of time having passed. Shane Connolly A huge congratulations to The Garden Museum, Shane Connolly, Robin Lucas, Christopher Woodward and Emma House for such an inspiring show and we are so glad we could help fulfil your every paint need! The show is on until the 26th of September so don’t miss out on the opportunity to see this marvellous creation, to books tickets click HERE. The Garden Museum is next door to Lambeth Palace, sitting on the bank of the Thames looking across to Parliament, just a ten minute walk from Vauxhall, Westminster and Lambeth North stations. Don’t forget to also sign up to our Colour Club, where you will be the first to know about exclusive offers and competitions – with great thanks to the Garden Museum for allowing us to offer some free tickets to our Colour Club members for the Constance Spry Exhibition! The virtual doors are open, we think you’ll like it here… SIGN UP HERE
A Greener Christmas with Edward Bulmer Natural Paint Make it a Chic Christmas with timeless colours that last beyond the festivities. Check out some of our favourite rooms decorated for the season.
Our new conscious colours: ‘Palette Blenders’ It is not often Edward Bulmer creates new colours, these seven smart and sophisticated ‘Palette Blenders’ transcend style and architecture and are made with absolute resonance and relevance.. Read more about our new colours and which other colours in our natural collection to pair with.
Hidden Herefordshire: A Rural Retreat Roadmap for 2021/2022 Are you like us feeling that Summer is nearly over? Don’t despair there is still time to sneak in a rural countryside break before the madness of Christmas is upon us; Autumn is one of our favourite times of year for enjoying the great outdoors. We have put together a rural retreat roadmap of a couple of our favourite spots in Hidden Herefordshire.
Through the Keyhole – House & Garden Festival 2018 Our decorated space at this year’s House & Garden Festival was all about collaboration. Edward’s idea for the decorated space was to link old and new, at the physical juxtaposition between the Interiors Art & Antiques Fair and the House & Garden Festival.
Choosing colours for a conservatory Bright conservatories with skylights can be awkward spaces to paint in colour. The trick is to find a way to absorb the light without dulling it down or overpowering it with a vivid colour or even illuminating it with something too white. Read more for all the colour tips..
‘The Westridge Collection’, an autumnal interview with designer, colour consultant and stylist, Emma Diaz Emma Diaz speaks to us exclusively on her new range of beautifully designed, hand crafted furniture. All materials are sourced and gathered from near her Cotswold cottage and we can’t wait to find out more about the collection, where her creativity comes from and all about her colour consultancy service for Edward Bulmer Natural Paint.
