The most interesting interiors often begin with something we love. It might be a painting collected on our travels, an inherited piece of furniture or a ceramic vase whose colours have always caught our eye. These treasured possessions can provide a wonderful starting point when choosing paint colours, inspiring combinations that feel natural, unexpected and full of character. Equally, exploring a carefully developed paint palette can reveal new possibilities, helping us see familiar objects in a different light. Whether you’re finding the right wall colour for a favourite painting or bringing together a collection of antiques, the key is to consider the relationship between colour, materials and the things you love. Here, we explore how to decorate around treasured possessions and create a home that feels collected, personal and entirely your own. Quaker and Celadon hallway by Amy Eld. Photography: Kit Dixon-Smith Quaker and Mason Pink hallway by Amy Eld. Photography: Kit Dixon Smith Quaker and Cerullian Blue hallway by Amy Eld. Photography: Kit Dixon Smith 1. Take colour inspiration from artwork and antiques One of the most useful decorating tricks is to look beyond the dominant colours in the objects you love. A landscape painting, for example, might appear predominantly green, but closer inspection could reveal subtle notes of pink, yellow or blue. These secondary colours can be particularly useful when choosing a complementary wall colour, allowing the artwork to stand out without competing with its surroundings. The same principle applies to antiques and natural materials. The honeyed tones of aged oak, the patina of brass or the delicate variations in old ceramics can all suggest a decorating palette. Rather than trying to match everything precisely, look for colours that share a similar undertone or create a pleasing contrast. Free Colour Chart – A Concertina of Colour Sang de Boeuf, Front Parlour After Van Gogh House Credit: Livia Wang 2. Bring old and new together A home filled entirely with antiques can sometimes feel formal, while a room of exclusively contemporary furnishings may lack the individuality that makes an interior interesting. Bringing old and new together is often where the most exciting combinations emerge. An antique dining table can look striking against a contemporary backdrop, while modern artwork can bring fresh energy to a room filled with traditional furniture. Paint is a particularly effective way to connect these different styles. For an antique oak chest of drawers, consider a muted green such as Drab Green, the gentle warmth of Warm Stone or the earthy pink of Mason Pink. Blue and white ceramics, meanwhile, can look particularly fresh against Milk White, Portland or the soft, stony tones of Fawn. The subtle variations found in natural paint colours make them particularly effective alongside aged timber, ceramics and other traditional materials, helping a room feel as though it has evolved over time. Invisible Green sitting room by Rita Konig. Photographer: Simon Brown 3. Use contrast to make treasured objects stand out Some of the most successful interiors are built around contrast rather than perfect coordination. A dark antique cabinet against a pale wall can become a striking focal point. Equally, a colourful painting can gain even greater presence against a rich, atmospheric background. Think about the relationship between light and dark, warm and cool, and muted and vibrant. An earthy neutral such as Clove can provide a beautiful backdrop for colourful ceramics, while a deep green such as Invisible Green might create a dramatic setting for a favourite painting. Contrast doesn’t have to be bold. Even a subtle difference in tone can help distinguish individual objects and give a room a more layered appearance. It’s also worth considering the effect of natural light. The orientation of a room, its windows and the surrounding landscape will all influence how a colour appears throughout the day. Always test your chosen shades in the room itself. Our hand-painted A5 colour cards are particularly useful, as they can be moved around the space and held alongside artwork, furniture and fabrics. Clove hallway by Bryony Richardson. Photography: Dean Hearne 4. Choose a wall colour that brings your collection together Walls provide the backdrop against which everything else in a room is seen, so their colour can have a considerable influence on the appearance of artwork, furniture and decorative objects. A softer shade such as Eau de Nile can allow a room’s contents to take centre stage, while a stronger colour such as Dahlia Pink can bring an eclectic collection together. Warm timber, aged brass and traditional furnishings often sit comfortably alongside earthy greens, ochres and gentle pinks. Cooler stone, blue and white ceramics and more delicate artwork might suggest a palette of chalky whites, muted blues or understated neutrals. Remember that you don’t have to limit your scheme to the walls. Painting doors, cupboards and other woodwork in complementary or contrasting shades can add another layer of interest. Using different strengths of a single colour can create harmony, while a contrasting shade on a door or piece of cabinetry can provide an unexpected focal point. Dahlia Pink dining room by Octavia Dickinson. Photography: Boz Gagovski 5. Embrace texture, patina and natural materials Part of the appeal of decorating with antiques is their individuality. Scratches, faded finishes, uneven surfaces and signs of age are often what make these pieces so special. Natural materials such as wood, linen, stone and ceramics bring their own colours and textures to a room. A beautifully aged wooden table might be complemented by a soft, earthy wall colour, while natural linen curtains introduce texture without competing with the furniture. Edward Bulmer’s natural paints are made using earth and mineral pigments, creating colours that work particularly well alongside these materials. Rather than attempting to make everything look new, embrace the contrast between carefully chosen paint colours and the character of objects that have been loved and used for generations. Hedge Mustard living room by Octavia Dickinson. Photography: Boz Gagovski 6. Allow your decorating scheme to evolve A home doesn’t need to be finished all at once. The most characterful interiors often develop gradually, as objects are collected, inherited, discovered and rearranged. A room might begin with a favourite painting and evolve as new pieces find their place. Allowing a decorating scheme to develop naturally can lead to more interesting results than trying to achieve a perfectly coordinated interior from the outset. Take inspiration from the things you love, experiment with colour and allow your furnishings and treasured possessions to find their place. After all, the most memorable homes are often those that reflect the people who live in them. Lute dining room by Max Rollitt. Photography: Christopher Horwood Expert advice on choosing paint colours Choosing colours around much-loved antiques and artwork can be a creative process, but knowing where to begin isn’t always easy. At Edward Bulmer Natural Paint, our experienced colour consultants can help you develop a palette that complements your surroundings and reflects your personal taste. Whether you’d prefer an in-home visit or a virtual consultation, our team can help you bring together the colours, materials and objects that make your home unique. You can also explore our collection of natural paint colours and browse the Journal for more decorating inspiration. Frequently asked questions What is the best paint colour to use with antique furniture? The best colour depends on the furniture’s material, finish and the effect you want to achieve. Earthy greens such as Drab Green can complement aged oak, while warm neutrals such as Fawn or Warm Stone provide a gentle backdrop. For darker furniture, consider a contrasting pale colour or a rich shade that creates a more enveloping effect. How do I choose a wall colour to complement a painting? Look closely at the painting’s secondary colours rather than simply matching its dominant shade. A subtle colour drawn from the artwork can create harmony, while a contrasting wall colour can make it stand out. Test samples alongside the painting in the room’s natural light before deciding. Should wall colours match antique furniture? Not necessarily. Contrast can be just as effective as coordination. Dark antique furniture can look striking against pale walls, while lighter timber can gain greater presence against deep greens, blues or earthy reds. The aim is to create a pleasing relationship between the furniture and its surroundings. What colours work well in traditional interiors? Earthy greens, warm neutrals, muted blues and soft pinks are all useful starting points. However, the most appropriate palette will depend on the architecture, natural light and furnishings. Historic interiors often used considerably more colour than we might imagine, so there’s no need to restrict a traditional home to pale neutrals. Colours featured in this article Quaker Order a Sample Lute Order a Sample Clove Order a Sample New Hedge Mustard Order a Sample Cerullian Blue Order a Sample Invisible Green Order a Sample Sang de Boeuf Order a Sample New Dahlia Pink Order a Sample
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