It’s all about the ‘not so mellow’ Chrome Yellow. Discover its provenance and find out more about selecting the perfect yellows from our range. For centuries, finding a bright yellow that remained stable eluded artists and pigment makers and so they tended to adopt the commonly occurring Yellow Ochre or accept the deficiencies of the brighter pigments obtained from sulphur, orpiment and lead antimony. In 1804 this changed with the creation of a lead chromate pigment by the French chemists Berthollet and Vauquelinwhich, though expensive, became generally available. It still had a tendency to dis-colour on its own but it allowed the creation of bright hues, not least Turner’s Yellow, famously used by Sir John Soane to decorate his Drawing Room on which he hung his Turner paintings (not the same man – the former was just a pigment seller then known as an artist’s colourman). Chrome Yellow pigment is today made from spinels or mixed oxides of magnesium and aluminium, which avoid the toxicity of the so called ‘heavy metals’. It is still nevertheless expensive and so we use it sparingly to give our big yellows, like Naples or Brimstone, some oomph; but also to give a vital ‘je ne sais quoi‘ to Duck Egg and Jonquil! The addition of the Chrome Yellow pigment within our range takes you from the lighter lemons to the deep yellows like Naples Yellow, Persian, Brimstone and Patent Yellow. We thought you might like to hear where these names derived from and learn more about the tonality of the colours from the ‘colourman‘ himself, Edward Bulmer. New ‘Naples Yellow’ (Left Photo) is an eruption of colour – literally, as this name came about through a belief that it originated in the volcanic area around Naples. It is a strong colour for those brave enough to couple it with other gutsy colour tones and individually designed pieces. It will wake up the senses and lift the spirits, appealing to the architect designer as well as the confident home owner. Our other new yellow is ‘Persian’ (Right Photo) this is a strong brown yellow that will work well with polished timbers and high contrast trim colours/whites, seen below on the right. It is warm but bold and will stand up to eye-catching furnishings. The name comes from the use of Persian buckthorn to create strong yellow dyes many centuries ago, although often it was superseded by other names when processed into pigments – even Dutch Pink. Naples Yellow Order a Sample 100 60 40 20 Persian Order a Sample Brimstone Order a Sample Patent Yellow Order a Sample Our classic ‘Brimstone’, evocative of the fiery tone of sulphur, is pure sunshine in a tin. Edward felt the need to offer a bright, clear, yellow – less dependent on yellow ochre and more on chrome yellow. This colour will brighten up any shaded room and we have seen a similar shade used by the Prince of Wales at Highgrove on outdoor seats set against a yew hedge, to stunning effect. Edward has paired this with ‘Dove’ in his beautiful conservatory breakfast room at his home, below left. The pigment Montpellier yellow was also known as Patent Yellow in the late 18th century and was one of a small number of fashionable bright yellows that only a few could afford to use as a wall paint. This did not deter John Soane who famously used it to decorate his Drawing Room. Our take on our ‘Patent Yellow’ colour is softened and greyed just a little to make it a frankly, more useable colour. These colours can bring light and energy to a room, if you are not a massive lover of yellow do re-consider it teamed up with other colours, from greys to pinks and blues, they can lift a scheme and look superb. The vibrant Chrome Yellow helps create some other colours which may surprise you, see a selection below; ‘Red Ochre‘ & ‘Invisible Green‘, ‘Duck Egg‘ & ‘Pea Green‘, ‘Olympian Green‘ & ‘Jonquil‘ and the beautiful ‘Aquatic‘. Red Ochre Order a Sample Invisible Green Order a Sample Duck Egg Order a Sample Pea Green Order a Sample Jonquil Order a Sample 100 60 40 20 We hope you are staying safe during these tricky times. We are working safely and separately at Court of Noke and so are delighted to take your calls and answer emails. We are giving lots of FREE colour consultancy so do please email us any questions with photos and videos of your rooms and we will get back to you. As long as the courier will collect and we have stock we shall do all we can to deliver to you whilst respecting all Government guidelines. For inspiration do follow us on Instagram @EB_naturalpaint and @edward_bulmer and Pinterest @EBNaturalPaint Our social network has never been more important. A safe place where we can all support and inspire one another. We will continue to share our gorgeous colours in your wonderful homes. Watch this space for more design tips from Edward and brilliant creative ideas for your home. Please keep in touch and keep sharing all your painting and rooms #edwardbulmerpaint
How to decorate with browns, the new go-to luxury shade With the ability to exude charm and elegance, browns are not only extremely versatile, but match ever so chic-ly to a whole host of design styles, textiles and periods of home. From regency to retro, the colour brown has the ability to ground a space, but also provide that smooth backdrop that can accentuate so many other aspects to your room design.
Kitchen colour inspiration for your walls Whether soothing or striking, classic or contemporary, it can be a hard decision knowing which colours to pair with or complement a piece of fabric or furniture – worry not, we have you covered. With the help of our expert colour consultant Fiona de Lys – who you may have already spotted sharing her interior styling and colour knowledge on our Instagram reels – we launch with our essential guide on colour pairings and palettes. Click here to read more..
How to Pair Colour with Pattern & Print – the Wicklewood X Edward Bulmer Natural Paint Colour Guide: Edition 2 We’re back with Edition II of our Colour Guide, created in collaboration with our friends Wicklewood, exploring ‘How to Pair Colour with Pattern & Print’ and have created our second, must read guide packed full of hints and tips on how to master mixing and matching in your home.
Why the design world needs to cut its carbon footprint The industrial revolution, or what you might call ‘the dawn of commercial design’ relied on the use of a new energy source – fossil fuels. From coal, to coal tar, to crude oil, to natural gas, their use began to alter the dynamic and the planet increasingly had to store the resultant carbon emissions in the atmosphere rather than in its vegetation, soils and oceans.