We are delighted to announce that Edward’s recently created peach terracotta colour ‘Header’ is the winner of Homes & Gardens Colour of the Year Award Edward Bulmer and the team are thrilled to have won this award from Homes and Gardens, after launching the Palette Blenders last year, 7 new carefully curated colours to fill in some gaps in the colour chart. It is real testament to Edward Bulmer and his interior design knowledge to have introduced such a worthy front runner to the range. We would like to thank Homes and Gardens and everyone who has used this terracotta tone over the past year. Header at Yavington Barn, design by Max Rollitt, photography by Christopher Horwood Edward says of the award winning Header, “much of the brick in this country is red brick and conforms to a fairly standard earthy red. When it mellows and fades it only becomes more beautiful. Our shade, Brick, is often used to great effect – rich and enveloping; but when you don’t quite have the light for it, you need a shade of less strength. With this colour we have halved its weight and added some yellow ochre to soften the effect of going paler. In brickwork the length of the brick is known as the stretcher, the end of it, the header – it is half a brick in effect and this gives rise to our choice of name.” “Header is a wonderful warm brick red. I believe as red as you really need to go if you want a red room because this will give you a tone that is still very respectful of all the other things you’ll bring into the room rather than overpowering it, as so many stronger Reds do, in my opinion. We have a tone called brick, really popular, but in some rooms some aspects it’s a little bit too strong and so we’ve actually introduced a colour that really has half the strength of brick and a little bit more yellow ochre just to give it a slightly orangey hue. But as a brick can be used in two ways, length ways or end on, and that’s known as stretcher or header. The half a brick or the head is the name that we have given to this colour.” – Edward Bulmer Header at Yavington Barn, design by Max Rollitt, photography by Christopher Horwood Header at Yavington Barn, design by Max Rollitt, photography by Christopher Horwood Header Order a Sample Hespan Order a Sample Dutch Orange Order a Sample “The thing I’ve always loved about Edward Bulmer paint is that it’s not just a flat finish, it has a real resonance to it. That’s especially true of Header, with its softness and warmth – you can almost feel the movement of light within it. It’s the perfect backdrop for our showroom, where it catches the changing light throughout the day.” – Max Rollitt Header at Yavington Barn, design by Max Rollitt, photography by Christopher Horwood Like all of our colours, Header transcends style and architecture and along side all of our colours at Edward Bulmer Natural Paint, are made with absolute resonance and relevance. Reminiscent of Indian Summers this useful and charismatic colour works in tonal harmony with the existing range. Not showy, just functional, convenient, historically acclaimed, and most importantly made with natural materials that give Edward’s colours the depth and clarity that is only achievable with earth and mineral pigments.
How to decorate with the exceptional colour ‘Verdigris’ After headlining on the front cover of the November issue of House & Garden, we thought it about time we put ‘Verdigris’ in the spotlight. Read on to see how to use this colour in your interior design.
Under the Acanthus Leaves: A collaboration with artist, Jess Wheeler Two creative minds, united by a shared passion for the outdoors, we are so pleased to introduce you to a new collection of lighting inspired by nature and it’s colours. Read on for an exclusive Q&A with Jess.
Edward Bulmer Natural Paint are proud to be B Corp Certified We are thrilled to have recently achieved B Corp status at Edward Bulmer Natural Paint – but what does that mean? See below for everything you need to know about B Corp: how we achieved it, how it will shape the way we continue to work, how we address the climate crisis and how we make our pioneering plant-based paint.
The ubiquity of plastic in our houses and why we need to cut down Avoiding single use plastic is now accepted as common sense (though it is still not mandatory), but it is just the tip of the ‘plastic iceberg’ when it comes to our plastic addiction. So much of the plastic we buy now is unavoidable. Often this is because it makes up the packaging used to wrap and transport the goods we buy, and just as often it IS the goods we buy.
Hallway colours for a South Facing aspect The Victorians use green to blend garden facing rooms with the outdoors and true to historic origins ‘Invisible Green’ is a best-selling green for achieving just that, particularly when used with landscape artwork such as here in the Garden Hall. Find out more about going green…
The Crossover Project: Making Art Not Waste To celebrate the 20th anniversary of the London Design Festival we are hosting a dynamic exhibition in collaboration with The Crossover Project featuring a host of talented emerging artists represented by Bleur Gallery. The Crossover Project is a new initiative connecting the worlds of design, fashion and art through the values of circularity – in a bid to reduce waste.
