Discover again this month more about the natural earth and mineral pigments we use to create our colours which are far more sophisticated and subtle than synthetic AZO dyes used by most paint companies. Introducing the show stopping ‘Violet Carmine’ Carmine has become a generic term for deep purplish reds and has been in use since antiquity. It was originally derived from organic sources, such as the roots of trees like Indian Madder or plants like Dyer’s Bugloss (Alkanet) or even from crushed Cochineal beetles . The dye produced was not very opaque and the resultant colours were often known as ‘Lakes’. There was and still is, a significant trade in Cochineal for food, makeup and pharmaceutical colouring, but it comes at a high cost for the female beetles as 70,000 are required to make 1lb of pigment! An illustration of cochineal collection below shows how early Mesoamericans discovered that pinching an insect found on cacti yielded a blood red dye, seen a Mexican priest and scientist José Antonio de Alzate y Ramírez, 1777 (Newberry Library, Edward E. Ayer Manuscript Collection). Edward has selected a Violet Carmine that is a Spinel pigment from the latin for thorn, referring to its crystaline structure, processed from oxides of magnesium aluminate. It is a more reliable and happier outcome for beetles and vegans. It is also a useful addition to colours where Red Ochre or Vermilion do not impart enough blue in colours like ‘Rose‘ and in ‘Navy Blue’ it imparts more red to the shade. Navy Blue Order a Sample Rose Order a Sample Violet Carmine gives its all in the new deep red ‘Pompadour’ in this dining room and the lovely ‘Lavender’ on the cabinets and island of this family kitchen. If you would like to try some of these we now have A5 painted swatches available as well as the sample pots in each colour. We really recommend that you test our colours in situ before you make a final decision and observing how the time of day, type of light and different aspects of the room affect the colour. Our natural paints are packed full of these earth and mineral pigments and have an extraordinary and unrivalled response to light with a super soft finish so we know you will be pleased with the result. Pompadour Order a Sample Lavender Order a Sample For more colour inspiration please follow us on Instagram @edwardbulmerpaint and @edward_bulmer and if you love Pinterest @Edwardbulmerpaint Our social network has never been more important. A safe place where we can all support and inspire one another. We will continue to share our colours in your wonderful homes. Watch this space for more design tips from Edward and brilliant creative ideas for your home. Please keep in touch and keep sharing all your paint projects and rooms #edwardbulmerpaint
Behind The Chatsworth Collection: 24 Exquisite New Paint Colours Learn the story behind The Chatsworth Collection, a range of 24 new paint colours inspired by the interiors, heritage, and landscapes of one of this country’s most significant country houses.
Discover the new ‘Forever Favourites Collection’ Create a scheme from one room to your whole house with soft colours that work together effortlessly ensuring tonal flow and harmony. Our 12 best loved shades together in one pack. Discover the power of natural paint today.
The Talk of the ‘Ton’: How to Recreate the Wonder of ‘Bridgerton’ in your own Home If you haven’t already watched the glorious Bridgerton, or even if you aren’t a fan, then you now have another excuse. The Houses! There has been much speculation on the beautiful architecture, with wisteria in permanent bloom, Wedgwood blue hues and opulence in abundance. What is not to love!
Botanical art meets natural paint: Susannah Taylor on colour and inspiration We sit down with a cup of tea to chat to artist and painter Susannah Taylor about what inspires her, seasonal changes and floral symbolism.
The ubiquity of plastic in our houses and why we need to cut down Avoiding single use plastic is now accepted as common sense (though it is still not mandatory), but it is just the tip of the ‘plastic iceberg’ when it comes to our plastic addiction. So much of the plastic we buy now is unavoidable. Often this is because it makes up the packaging used to wrap and transport the goods we buy, and just as often it IS the goods we buy.
Through the keyhole – House & Garden Festival 2018 Our decorated space at this year’s House & Garden Festival was all about collaboration. Edward’s idea for the decorated space was to link old and new, at the physical juxtaposition between the Interiors Art & Antiques Fair and the House & Garden Festival.
