Words by our colour consultant Fiona de Lys Bright conservatories with skylights can be awkward spaces to paint in colour. The trick is to find a way to absorb the light without dulling it down or overpowering it with a vivid colour or even illuminating it with something too white. Here the light falls into this South facing room, which also receives cooler morning light and so two colours have been cleverly used to capture the warmth from above and then tone it down at eye level where it reads onto the cooler East side of the room. ‘Brimstone‘ above carries a lightened and lively yellow quality to it, and would be rather intense at this lower level, but when paired with ‘Dove‘, the light softens down and the illusion is an almost invisible colour with warmth in mind. It’s tempered down by combining it with ‘Dove‘, which gives it a little bit of neutral depth further down the wall. If you have panelling, you could use it on panelling, maybe on architrave and skirting and window frames particularly. Try a mid deep blue such as ‘Vert de Mer’ as an accent colour for a doorway, or maybe ‘Mummy’ on the skirting and wood trim. Brimstone Order a Sample Dove Order a Sample 100 60 40 20 Vert de Mer Order a Sample Mummy Order a Sample 'Brimstone' on the walls, with 'Dove' on the panelling. Photography by Paul Whitbread @paul_whitbread_photo 'Brimstone' on the walls, with 'Dove' on the panelling. Photography by Paul Whitbread @paul_whitbread_photo 'Brimstone' and 'Dove' in the conservatory with 'Jonquil' full colour on the walls in the adjoining room. Photography by Paul Whitbread @paul_whitbread_photo No matter which room, aspect or lighting, these blogs along with the reels over on our Instagram page @edwardbulmerpaint will be your starting point to building an interior scheme with complete colour confidence. If you already have one of our natural paint colours in your interior but are looking for a woodwork or a ceiling colour to pair it with, or perhaps you would like to paint a wall, woodwork colour and cabinetry all different then this is the guide for you. We shall simply help you ‘get the look’ and you can drop all the samples into your basket with just a click. BOOK YOUR CONSULTANCY APPOINTMENT HERE
In Celebration of Cuisse de Nymphe Emue Cuisse de Nymphe Emue is our bestselling dusky pink. A colour created by Edward Bulmer after visiting Petworth House and seeing a similar hue in the family rooms, he knew that it was a colour that would be popular and he was right! We believe its popularity is due to its warm tones and versatility. Explore the joy of this perfect pink.
Discover the new ‘Forever Favourites Collection’ Create a scheme from one room to your whole house with soft colours that work together effortlessly ensuring tonal flow and harmony. Our 12 best loved shades together in one pack. Discover the power of natural paint today.
Festive wall colours for Christmas that work all year Bring festive warmth to your walls with colours that last all year. Including versatile Lilac Pink, earthy Nicaragua, and timeless neutral Wash Stop, our natural paints create a home that feels beautiful at Christmas—and every season beyond.
Bringing Jane Austen’s world to life with colour Edward Bulmer was honoured to be approached by Winchester College Heritage to create a set of bespoke paint colours for the rooms that Jane Austen lived in in the final months of her life in 1817. By carefully scraping back layers of paint, the original Georgian decorating scheme was uncovered. Edward specially mixed new colours to match those original finishes.
How to: kitchen cabinets – preparation and painting Repainting your kitchen cabinets is one of the most rewarding, but high-impact DIY jobs you can tackle. That said, this isn’t a quick job. The secret? Preparation. Follow our step-by-step flow chart to help you make the right decisions.
Charleston charm: When Bloomsbury came to Belgravia for The Treasure House Fair Bloomsbury in Belgravia to welcome The Treasure House Fair. An eclectic curation of art, antiques and colour by the masters in their fields, Philip Mould, Max Rollitt, Jane McCall and Edward Bulmer.