Edward Bulmer was honoured to be approached by Winchester College Heritage to create a set of bespoke paint colours for the rooms that Jane Austen lived in for the final months of her life. By carefully scraping back layers of paint, the original Georgian decorating scheme was uncovered and Edward specially mixed new colours to match those original finishes. These colours were used in the rooms Jane Austen and her sister, Cassandra, rented, and they help to invoke how they might have looked during their short time there in 1817. The repainted quarters. Edward tells of his time in College Street. ‘It is rare to feel the presence of a past life in an old house – they have hosted so many after all. I am someone who can anthropomorphise the skill required to fashion a piece of furniture or weave a carpet, I am also someone with a long-held devotion to the works of Jane Austen. Nevertheless, I was unprepared for how viscerally I felt her presence standing in the room in which she spent much of the last two months of her life. It was a genteel but simple room in a Georgian house in College Street, Winchester. Walls had since been changed and a staircase moved, but the character of the building not lost. The door to Jane’s room had a cylindrical brass knob which would have been recently fitted when her feeble hand turned it. Her presence was palpable – the simplicity of the interior was so in tune with what we know of her outlook and circumstances that it somehow deepened the sense of it.’ Jane's White Jane's White On creating the white, Edward says ‘Jane’s White required only a modicum of pigment to render it ‘the neat little drawing-room’ that Jane deemed it in a letter.’ Cassandra's Slate, with scraped back area remaining Cassandra's Slate, looking through to Jane's White ‘Cassandra’s room and the room occasionally used by her brother were given a little more richness by the use of cobalt blue and red and yellow ochre pigments. Not expensive tints, but in reasonable quantities to give warm mid-colours, creating Brownlow North’s Red, Cassandra’s Slate and Mrs David’s Pink. ‘ The colours are named after people alive at the time. Brownlow North was the Bishop of Winchester in 1817 and the diocese owned 8 College Street and Mrs David was the landlady of the property. Brownlow North's Red looking through to Mrs David's Pink in the bedroom. Edward felt that ‘the fragmentary presence of these colours under subsequent layers, like the scant records of the Austen’s brief tenure, allowed a remarkably telling restoration, bolstered I believe by that strong sense of a remarkable soul that though failed in the end by a weak body, produced work of enduring popularity and prescience.’ 8 College Street is open to the public for a short while to the public in advance of the 250th anniversary of Jane Austen’s birth on 16th December this year. Unfortunately all tickets have already been snapped up, but this important space remains as a monument to such an important figure in British literary history. All photography credits: Camilla Winter Moore
A Winter Warmer: WIN with Classic Cottages and Edward Bulmer Natural Paint As it gets a little colder, this is your chance to win a cosy stay at one of Classic Cottages many beautiful countryside homes, plus the chance to decorate your own in our tonal palette, taking a little slice of Classic Cottages home with you!
In Celebration of Cuisse de Nymphe Emue Cuisse de Nymphe Emue is our bestselling dusky pink. A colour created by Edward Bulmer after visiting Petworth House and seeing a similar hue in the family rooms, he knew that it was a colour that would be popular and he was right! We believe its popularity is due to its warm tones and versatility. Explore the joy of this perfect pink.
Discover the new ‘Forever Favourites Collection’ Create a scheme from one room to your whole house with soft colours that work together effortlessly ensuring tonal flow and harmony. Our 12 best loved shades together in one pack. Discover the power of natural paint today.
From Dawn to Dusk: how to paint the east facing room When decorating your home, it is important to understand the light in each room. This can make a huge difference to the final look, especially when choosing your paint colours. It is key to note that the light in an east facing room is soft, fresh, and changes throughout the day.
Colour in the Landscape by Pete Beckett In our London Showroom we are hosting a collection of colourful works by artist Pete Beckett. This exhibition shows a range of paintings with a variety of different subjects from abstract landscapes to more figurative depictions.
Why the design world needs to cut its carbon footprint The industrial revolution, or what you might call ‘the dawn of commercial design’ relied on the use of a new energy source – fossil fuels. From coal, to coal tar, to crude oil, to natural gas, their use began to alter the dynamic and the planet increasingly had to store the resultant carbon emissions in the atmosphere rather than in its vegetation, soils and oceans.
From Prep to Perfection: Mastering the Art of Paint Planning At Edward Bulmer Natural Paint, we’re proud to help our customers every step of the way, from planning their project to achieving a beautiful, lasting result. Follow our helpful tips and your project should go off without a hitch. Master the art of paint planning today.